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February 4, 2012

Tag: Dollhouse

November 11, 2009

The Dollhouse Demise Towards Great Potential

293.dushku.dollhouse.lr.111109So, just because this blog is certainly positive, doesn’t mean that my positive crystal ball always comes out right. I could play the pompous blogger and claim my crystal ball was a little broken and that lack of readers’ commentary is to blame, but geez – that sounds like too much effort. I always like to respond to being wrong on the Internet with a shrug, a crooked grin, and a “you can’t get ‘em all correct”.

Well, you can’t get ‘em all correct.

Despite my positive opinion for the stylings of Dollhouse‘s increasingly engaging plotline, Fox has given the Joss Whedon series the official axe today, meaning that the hiatus it is currently on will be the last break before the final hurrah of eps. This makes it two times that Whedon has been burned by Fox, the first being with the “most cancelled” series Firefly, which garnered enough fan support for a brief revival on the big screen (“Serenity“).

While cancelled series are difficult to make into a positive, there’s quite a bit of a glimmer on the horizon. The first is the different environment and cred that Joss Whedon has garnered since the last time he had a series canned.

When Firefly was cancelled, Joss had only Buffy and Angel to fall back on, but since then, he’s gathered a bit of a greater fan following through the modest success of Serenity, a well-received reception for the musical web short Dr. Horrible’s Sing-Along Blog, and now with Dollhouse, which despite being rebuffed by Fox at least made it further than Whedon’s first effort with the network. This makes a rescue by another network a slight bit more likely, though Syfy has already mentioned they probably won’t pick it up. Neither network, however, is the only game in town.

Even if it isn’t picked up, however, Whedon is prepared to move to different endeavors, stating on Whedonesque.com that he’ll keep on trucking with new projects, and one in particular which he says we’ll know about by the time the Dollhouse closes for good.

The knowledge of a series’ end also has a way of creating a buildup and a potential for “going out with a bang” . There’s Whedon-style star power coming to the impending end of Dollhouse, with Firefly alums and other folks making an appearance in the series’ swan song of eps. When a series is uncertain about its future, there tends to be a pulling of the punches, but when the game is going to come to an end, you can bet that it will be no holds barred. Dollhouse‘s dystopian outlook, moral questions, and conspiratorial mysteries will hopefully all be addressed, but the impending finale means that the last few episodes are going to be exciting, action-packed drama fests.

To accept the end means to look forward beyond it to the future, and while the demise of Dollhouse is arguably premature, I’m planning on enjoying every minute up until the finish line – and the potential of new beginnings for Joss, the cast, and all those involved. Take a swig of your glasses folks – it’s going to be a wild ride.

October 1, 2009

Dollhouse Dystopia

The Dollhouse Cast
Image via Wikipedia

I’ve heard many friends of mine give me a bit of grief over watching Dollhouse, the series on FOX starring Eliza Dushku about a facility that houses people who are imprinted with personalities and sent on engagements of all sorts. In some respects I don’t blame them – the series was just barely renewed for a second season by FOX and is being watched quite closely. Joss Whedon, better known with FOX for the creation of one of the most beloved cancelled series ever in Firefly, is now out of excuses of story establishment and editing, and has to deliver.

A lot of people like to accuse the series of being shallow with too much T&A, but I’d disagree. Actually, the reason why I like to watch Dollhouse stems from the fact that it A)creates a dystopian, or disturbingly futuristic, vision of the world and B)it asks us that question in the face of technological advancement and use regarding the human mind. The character of Ballard, played by Tahmoh Penikett (of Battlestar Galactica fame) is the one who validates this notion more than anyone else, because he basically embodies us. He questions the moral nature of using human beings as tools for amusement, fulfillment, or more destructive purposes. He raises thoughts about the system used that the other characters find perfectly normal – suppression of the original identity of the person, the lack of freedom with which the various “dolls” are brainwashed into accepting when wiped, the morally grey idea of conducting and furthering human psychology research using humans in dangerous situations which they normally would not accept.

If you’ve ever read 1984 or Brave New World, there’s a clear influence from those two works in Dollhouse. Essentially, part of the dystopian question in the series is “How far is too far when it comes to technological advancement?”. There’s a ton of futuristic equipment that would make geeks drool to have, from supercomputers to massive storage arrays, to the famous chair that dolls sit in to have their memories wiped or programmed. But how much is appropriate to make progress into the human mind and condition? At what point does technology eschew morals to the point of being distasteful? Even though there’s a fair amount of action in Dollhouse, the “cool” factor of multiple personalities and roles being played is always undercut by this current of uncomfortable ethics (or lack thereof).

Really, if Dollhouse is given the chance it deserves, I think it’ll have a good chance of exploring these issues and more as the story moves forward. I for one am looking forward to the next few episodes and hope that we see more of this exploration of dystopian tech over the next 13 episodes.

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May 2, 2009

Dollhouse Dilemma

Echo (Dollhouse episode)
Image via Wikipedia

Joss Whedon’s brand spanking new foray into TV, Dollhouse, makes an attempt to blend a bit of the rampant sexiness of “Buffy the Vampire Slayer” with the science fiction of “Firefly”. The series centers around a morally grey company wherein contracted individuals have their personalities programmed into them for various “services rendered”, with high-priced clients looking to artificially fill voids in their lives.

One episode from the finale, however, and there are questions about the continuance of the series on  Fox. There are a variety of reasons for this, from Fox messing around with the first 5 episodes being presented, to the acting, to the timeslot, and many other things, but it seems more and more likely.

Still, as with anything that has doom and gloom, Overly Positive is here to cheer you little fanboys and fangirls up. The series itself probably still has a chance to exist in the slot that it does. While unpopular (Friday nights), it’s extremely difficult to think of something else that Fox could slot in that isn’t a rerun or a retread, and also one that naturally tends to pair well with The Sarah Connor Chronicles (read: two female leads + attractiveness = viewers). It’s also difficult to rate this based purely on live viewership as well – after all, more and more people are DVR’ing the series, electing to watch it later (as I have).

It’s also not like the show is hurting for acting power too. You’ve got Tahmoh Penikett, fresh off of Battlestar Galactica’s finale, a veteran actor in Olivia Williams, the introduction of Alan Tudyk (last seen being impaled on Serenity – ouch!) and of course, Eliza Dushku, who actually has a decent range for the character she has to play and who can provide the eyecandy to keep going at the same time.

The last three or four episodes have been strong “plot” episodes, focusing in on the main action of Penikett’s Agent Ballard and his search for the Dollhouse, the emerging awareness of Echo, and the ominous presence of Alpha, the rogue doll who is just a bit too smart and psychotic for the Dollhouse’s own good. There’s a lot of space right now for a sci-fi series, and one that grabs the kind of ethics and morality about technology that this series does. With all that being said, Fox’s competition on Friday nights is terribly weak. One can only hope that will keep Dollhouse going despite what everyone, even Joss, is saying, but then – that’s what other networks are for.

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