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February 4, 2012

Category: TV and Movies

March 5, 2011

The Silly Setup Of Failure

A trend I tend to see in my travels across the world wide web reading about games and their release is a certain subsection of  geek that’s always piqued my interest. No, I’m not talking about that strange guy who likes to refer to himself in the third person when he posts or that one girl who has to write in pink text every time as it it was breathing. This time, I’m talking about the ones set on ensuring that they are looking for a complete failure when it comes to a game or a show or a movie that is upcoming.

The reason why these folks are so curious to me is because as an optimist, there’s a level of intrigue as to the polar opposite of my outlook on things. What must it be like to be expecting failure all the time, even when it comes to the things that might most likely be a success? For geekery, where there is always something new and interesting around the corner and there’s a high amount of intelligence that suggests it might be decent, it’s even more of a surprise. Sure, there are cynics out there, and there are pessimists, but having a negative outlook on something is different than expecting something to fail. It’s easy to spot these folks too. They make forum threads predicting doom and gloom, blog about how the next best thing isn’t quite as good as sliced bread, and are always quick to insert an oppositional, Eeyore-like shrug into conversations that excitedly talk about what’s coming up.

If I had to take a guess, it would have to be that the people who want to anticipate failure are afraid of the feeling that it gives to them when they see something they like go down the crapper.  Perhaps hurt by having high expectations, a failure-thinker lowers them to the other extreme figuring that when the inevitable success happens, they will be pleasantly surprised.  It’s a sort of defense mechanism against high ideals and immense like for something no matter how popular it is. But why, as a geek, would you allow your self to be disappointed prior to the disappointment having any teeth to it? The thing that I would think is that setting yourself for failure basically means you’re never feeling like something succeeds. You’re denying yourself the anticipation and feeling, and good vibe that can lift a day just by being there. And low expectations that are met are still, in the end, low expectations, no matter how far above the bar they might go.

Not everyone can see a silver lining like me all the time – I can get that and understand it. But I’d also hope to think that not everyone can see just a rain cloud when they look at the sky, either. It’s a sort of grey view of things and a method by which you’re always going to be sad about anything and everything. The elation of success felt when your low standards are met is temporary and only leads to the next thing that you think isn’t going to cut the mustard. It’s just not a good way of thinking. I think that being genuinely excited about something, whether it is a game with great features you like, or a tv show that really seems to speak to you, or a movie that you’ve been waiting to be made is worth feeling a little down if it doesn’t ultimately pan out. At least then, you’d only be temporarily sad, instead of temporarily happy. I’ll take the happy any day.

February 27, 2011

The Appeal Of A Good Side-Story

I don’t know about the rest of you, but I’ve always been a sucker for a good side-story. Whether it’s in a game or a good TV show, a story that takes a bit of a detour to take a look at something else from another point of view is one that intrigues me. But why is that? Maybe part of it is the fact that the story itself is meant to be optional or a bit less of a priority to the main plot. Normally when a writer does something like this, it’s meant to either flesh out the existing story or provide a nice little break from the main action for a bit.

In the case of the former, I like a good side story because it sometimes helps to augment things with a little bit of context. Heroes and Lost were two series that were notorious for this,  even if they both did take it to an extreme at times. By jumping back and forth through different times and establishing  the how and why of characters and events, you got to understand why in the main plot something happened. In some cases it can make hated characters sympathetic or certain coincidences destined to happen no matter what.

In the case of a latter, taking focus away from the main cast is a good way to show that there’s not just a self-contained bubble of characterization but a world that those characters affect. Babylon 5, Stargate SG-1, and Battlestar Galactica all do this to a certain extent, taking the point of view of seemingly unimportant characters or events and making them have meaning in the context of the fictional world the main cast impacts. In games it is even more obvious and prevalent, as true sidequesting is a detour off the beaten path, or a stop along the way to look. It’s not always something that has to be done, but the incentivized bonuses for doing so become more and more tempting to today’s obsessive completionists.

Some people would argue that side stories and sidequests are a waste of resources, that a rich main story with deep and compelling characters should be the only thing to worry about. But if you really think about it, the stories that you see on the side do just that. They make the main story richer with their different content and the characters themselves become more compelling with a bit of meat behind the bones that writers come up with. While doing a side quest is completely optional and watching side story eps is not essential, people still experience them – if for nothing else to make their own processing of the action more worthwhile. Those tempted to skip such things in the interest of getting to what’s important might consider a side trip to find a little nugget that might just appeal to them, too.

February 19, 2011

Weekend Sci-Fi Rewind

These days when I’m needing to have something on in the background or if I am needing a bit of a fix for some good sci-fi, it’s almost always an old show that has long since left the air. Currently, I’m running through the Farscape collection of DVDs I have, partially because it was A)hilarious in its cheesiness, B)had a great story in parts and C)the last time I watched a Farscape marathon was on vicodin from a wisdom tooth removal. So as you can see, I have good reason to re-watch it again.

But re-watching in general is something that we geeks like to engage in for a bit of nostalgia. With geeky folk weeping all over the world when Heroes couldn’t be rescued, Firefly was cancelled before its time, and Dollhouse just couldn’t cut the mustard, I know I’ve turned to the past in order to nurture my love of sci-fi type shows. Maybe it’s me, but the nostalgia that I feel watching the shows of the past tells me that there is at least something in the genre that has some longevity in it. We talk about Star Trek, and Babylon 5, and Stargate, and a bunch of other series with a bit of reverence, but at the time, there was always potential that the series wouldn’t go as far as they did. Today’s offerings, which have seemed to have less of a life, make these older shows long-lived by comparison.

Not to say there haven’t been recent sci-fi shows that have gotten some traction. Fringe, for example, is turning out to be the next generation’s X-Files, while Battlestar Galactica enjoyed a great run and Doctor Who’s resurgence is a godsend to old and new fans alike. But there’s something about re-watching an old sci-fi series that makes you chuckle – not because of the fact that some of the “futuristic” devices have ended up actually made (see: Star Trek, Original Series), but also because of the fact that the audience was there, was appreciative, and was supportive even in the face of more popular mainstream offerings in the realm of such genres as reality TV. If blue-skinned aliens, oddly shaped ships, and the occasional mumbo-jumbo sci-fi explanation was enough for something to stay on TV, then there’s nothing but to look forward at what sci-fi will come up next as its next big thing.

Til then, however, I’m content with watching  the old school shows. After all, what defines sci-fi more than multi-colored rooms and a bunch of odd vomiting?

February 12, 2011

Cheap Tetris Video Update

Oh yes, it’s that time again, another cheap update for today. But I make it related to games! And it certainly is geeky and it made me laugh.

I know I can always count on the creative folks in Japan to come up with a show that is entertaining in its wackiness. Especially since I’m not the one trying to play Tetris in it:

February 11, 2011

Hate-preciating The History

There’s probably been one thing or another during a geek’s time that he or she probably potentially disliked about their little subculture’s choice of media. More commonly than not, it is inevitably something hugely popular. Part of this is the fact that some of geekery does tend to just dislike something that gains traction in part because it means you’re marching to a different drummer. Sometimes they might be something as simple as sushi or a particular model of smartphone, or they might be as large and massive as a tv show

Take me for example. I might be  committing a cardinal sin here, but I actually feel a bit meh about what is one of the most celebrated geekery shows ever, Doctor Who. I don’t know what it is, whether it is the over-the-top alien interaction, the campiness I see in some of the storylines, or the oddity of a character that travels through time but can’t change much, but I can’t quite get into it, even after watching all of the new series of episodes.

Now, before I get totally taken to task by my fellow geeks, know that while I’m not quite sure about Doctor Who, the key thing is that I appreciate its place in the history of sci-fi. Even if Doctor Who was completely justified in my sem-dislike of it, I wouldn’t be able to deny that it is one of the longest running sci-fi shows of any kind throughout hsitory. It has spanned a bunch of actors under a story premise that allows this to happen and the show to continue. It has revived interest in British sci-fi and spawned a couple of spinoffs that I actually appreciate (such as Torchwood).

I think more of geekery needs to understand and “hate-preciate” things that they dislike more. Someone may despise a show like Naruto with the heat of a thousand suns but you can’t not see that it is popular among younger geekery for a reason. A show like Star Trek: Voyager might not be in your rolodex of DVDs due to its place in the franchise but you’ll still like it due to the fact that it does carry a nice niche within it.  The list goes on. Not surprisingly, all of this is an example of how this blog can tell you to take even the dislike you feel for something and turn it positive. Trust me – you’ll get into less of a tizzy with your geek-obsessed friends who just happen to like teenage ninjas.

February 7, 2011

Special Effects Have Come A Long Way

Every year at the Super Bowl, there’s always one ad that shows off a bit of the geek tech, and for this cheap update, the one below takes the cake…..and makes me feel old for recognizing most of the shows. Enjoy!

January 19, 2011

Science Fiction’s Future Reality

The other day I was flipping around videos on YouTube and happened upon the always-funny, never dull Picard song. This, of course, prompted me into an hour or two long tour through some of the best of Star Trek: The Next Generation. And if it weren’t for this post, it wouldn’t have been as productive as I’d liked, either!

As I rolled through some of the best of the best, which included the Enterprise’s encounters with the Borg, the famous Picard Manuever, the Klingon civil war, and many other eps that only geeks would fondly remember, I began to notice the technology used in the series. Tricorders, video calls, artificial intelligence, voice activated computing, and more – all of these were, at the time of TNG’s making, complete fantasy, or at least in their very infancy in reality. Looking at what seemed to be futuristic and amazing for the time, I had to just smile at figuring out which of the stuff from the series has somehow made it into society in some form or another. We do have video calls via Skype, we have a sort of tricorder device in terms of the increasing barcode scanning and wifi/bluetooth technology, we don’t quite have a Data yet but arguably we have computers just as competent as him at running tasks…the list goes on.

Really this is great for science fiction and for geeks because it proves that sci-fi isn’t just the product of someone’s overactive imagination – it’s potentially a template for the future of devices, conveniences, and inventions everywhere. Much of the geek world already knows this, but mostly in the context of past shows like TNG giving way to the opportunity to create the tech of today. Looking to the more recent shows – Stargate, Torchwood, the re-imagined and modern Doctor Who and Battlestar Galactica, and more – all of these contain seeds of imagination that could lead to a future of more wondrous devices. I’d have to say some of the more fantastical ideas – time travel, space travel, and teleportation – might be a little while off, but anything else might be fair game.

To be honest, not every idea for the future of tech comes from the world of sci-fi. But it is safe to say that science fiction has at least a part or a hand in making those kinds of advancements happen, or inspiring others to help make them a possibility. In that respect, sci-fi and the geekery that goes along with it serve a more practical use than just entertainment. Beyond its peers in the media industry, sci-fi can and will have a place in our society for a long time to come – if for nothing else, to give me that flying car I’ve always wanted to drive.

October 9, 2010

Rowing Up TV Streams

If there’s one neato thing that’s helped me stay on top of all the geek media and things that I’m into these days, it has to be streaming TV shows. Sites like Hulu, augmented by television networks delivering their own full episode offerings, have kept me falling behind the latest in  high school dramedies, serious business remakes, and  romantic backwards storytelling. I’d have to say right now I follow maybe 7 or 8 shows regularly, and I couldn’t have done it without the magic of streaming TV.

The rise of streaming services is no surprise, considering the obsessiveness with which some people, even those who aren’t of the geek persuasion, pursue their favorite TV shows. Whether it’s to set up multiple DVRs to catch all the shows,  shanghai friends into recording eps, or forgoing that trip to the bar, restaurant, or knitting circle, people want their TV shows, and streaming sites give it to them in spades.

Curiously enough, there is a small subsection of folks that can’t quite get behind streaming TV, perhaps because of the fact that the experience itself is a change from traditional TV watching. Sure, streaming TV eps isn’t the TV-dinner-tray-and couch experience that we’re used to, but it is nevertheless its own way of consuming media. I watch Glee, for example, over Skype every week with a good friend of mine. I will sometimes take lunch and dig up an ep and gather the folks around for viewing. And sometimes I’ll be jawing on IM with someone watching the same episode that is streaming to my second monitor while I get work done. For me, streaming TV is not a replacement for the experience of watching TV shows, but rather is an evolution of what I’ve done for years.

I’ll be curious where delivery of TV shows does in the next few years (cue thoughts of Matrix-like uploads into brain) but for now, I’m really liking what’s being done with the Internet and TV. It’s just helped me be that much more caught up for my inevitable water cooler conversations about the latest and greatest shows.

August 16, 2010

The Impending Return of Geek TV

As hot and humid summer days give way to slightly less hot and humid days (for which I am grateful that some geek came up with the invention of air conditioning), my thoughts turn to the return of fall TV. Now with the advent of streaming video int he past couple years, watching tv seems like it’s a bit old school, but there’s something about popping down in front of the couch, or in bed with the remote in your hands to enjoy a good show.

This is especially true when it comes to the sort of geek-centric fare that I’m used to watching. In my growing old age I’ve kind of shunned the popular mainstream shows for those that have a focus on specific groups or people. And while these shows have become popular in their own right, they do have a special place in the geek community, where intelligence is a virtue over alcoholic capacity and outcasts are the heroes.

I really like the fact that not only are shows like this around, but that they are garnering traction within the “bottom line” of executives at TV networks. No doubt geekery has felt the sins of the past wrought upon them by network bigwigs (a certain series named after a little glowing insect comes to mind), but at least in 2010, vindication has been offered up for shows that cater to geek tendencies. If you’ve been hurt in the past and are one of my readers who is a bit jaded at the rise of reality TV and obsessiveness with pop culture, no worries – it’s still a good time to watch the tube. Don’t believe me? Here’s a few examples from my suddenly-in-use DVR:

The Big Bang Theory – You wouldn’t think a show that makes references to sci-fi, comics, and games would last very long in the dog-eat-dog world of TV, but Big Bang Theory, highlighting the lives of 4 physicists and the cute token blonde that peppers them, is going to be opening its 4th season this September. The fact that Jim Parsons, who plays Sheldon (the personification of every arrogant, OCD, socially inept geek out there) got an Emmy nomination plays up the legitimacy of this series. It’s definitely taken hold among geekery and the wider audience that struggles to understand them. We’ve got a potential new love interest for the aforementioned Sheldon this season and the consequences of the relationship of Leonard and Penny, so that will make for some hilariously nerdy moments.

Chuck – The series saved and beloved by the power of the internet has been on life support a few times during its history, but it has survived being terminated. The series about a tech geek who somehow gets a computer of knowledge downloaded into his head has become endearing to many, especially considering he manages to clumsily navigate success and get the girl at the same time. This season, Chuck sets off in search of his mother, but the spy life is far from behind him. A bonus for watching? Firefly alumni Adam Baldwin, who’s finally got onto a series that utilizes his stereotypical tough guy persona effectively (of course, being on a series lasting more than 13 eps helps, too).

Glee – Probably the show I’ve pontificated on this blog about the most, Glee has achieved meteoric success among geeks who are still geeks and ex-geeks who remember the awkwardness of being involved in the arts in high school. Glee’s the kind of show that has the potential to reach out to an audience while increasing awareness of something else at the same time, that being music and what it means. Having long since shed the High School Musical comparisons, Glee has come into its own as a show that can be dark and witty, funny but poignant, and a whole other bunch of things that resonate with geekery in general. This season, the kids start off a brand new year with a fresh slate, but the victories and defeats of the last year have probably had effects you can only begin to speculate about.

Frankly folks, it’s good to check out TV right now. We’ve still got about a month til everything premieres, but take the time to catch up on the rebroadcasts of these and many other series out there. Trust me – you won’t be disappointed.

June 8, 2010

Glee’s Lovable Losers

If you haven’t watched Glee, you’ll probably be confuzzled about this entry but hey – positive writing covers both general and specific subjects. You’d better watch the series if you haven’t!

So Fox’s Glee comes to a season’s end tonight, and with another set of storylines from the back 9 episodes coming to a close, we once again stand on the cusp of something that is make or break for everyone’s favorite pseudo-teen singers. Victory at Regionals, both over their own adversity and  over favored golden child rival club Vocal Adrenaline, would seem to be the proverbial cherry on the top of the sundae.

But is a win for America’s most visual and varying fictional glee club really a foregone conclusion? I kind of wonder about that today as I review bits and pieces of the last 9 eps to get any kind of clue as to the outcome of tonight’s episode. Part of the appeal of Glee is our love of the kids’ ability to triumph over adversity, be victorious in the face of certain defeat or an uphill battle. At Sectionals, the Glee kids’ last competition, it was easier to believe a win, fourth wall or not, because of the odds against them, from losing their songs at the last minute to not being able to travel with their mentor and teacher Will Schuester, to the (thankfully temporary) departure of their male lead. The stage was set for a dramatic, last-minute victory and the win at Sectionals highlighted just why we loved Glee – it’s a story of trials and tribulations, outcasts and loneliness, all overcome.

But this time around, the Glee kids are riding a wave of momentum. They didn’t just overcome their fear of their more talented opposition, they rattled them with a number they couldn’t hope to do. Will is on an upward trend after a number of introspective (and questionable) behavior. A reuniting of leads Finn and Rachel seems imminent. Everything seems to be on the upswing….and that is why the writers are going to hand New Directions a loss.

The entire season has been a realization of characters coming to terms with things they wanted but could not have. Will and Emma put off their relationship until Will’s divorce is finalized and Will finds out what he wants. Kurt, the club’s gay member, had to realize he couldn’t pursue a relationship with decidedly straight Finn. Mercedes needed to get that she wasn’t a cheerleader type. Wheelchair-bound Artie had to figure out that his damaged spine was ages away from a possible fix. All of the thematic elements point to wanting something, not getting it, then coming to terms and being stronger for it, which is why for the series to remain fresh, and for the characters to explore more of how they can succeed despite obstacles, they have to lose to Vocal Adrenaline.

I think part of why those who watch it love Glee is that there is a level of authenticity in the characters’ flaws, trials, and tribulations. For that to happen, a sense of a real loss has to be experienced, one which both endears us to the characters and entices us to watch as they work to move past being knocked down. An old quote says that the true measure of a man is not in times of success but in times of failure.  It’ll be a tough pill to swallow if my prediction for our favorite Glee kids is that they lose out. But I think in the end, we all know that they’ll be back – and not just for the fact that Fox quickly renewed them.

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